• 10 Quick Tips to Help Band Directors Improve Your Clarinet Section

    Band directors are kind of like musical superheroes – they have to maintain a working knowledge of all common (and sometimes not-so-common) band instruments. Not only this, but they have to share it in an easy-to-understand format with multiple students every day. Let’s hear it for band directors! Although I’ve never been a band director, I’ve worked in hundreds of band classes around North America, specifically with woodwind and clarinet sections. I’d like to share a few quick tips with big payoffs to all the band directors out there to share with your clarinet sections: And here are a few bonus clarinet care tips to help avoid accidents and broken…

  • The Complete Guide to Getting a Superior at Solo & Ensemble

    One of my most popular blog posts ever is my Complete Guide to Making All State, so I thought it’s about time I make a similar guide to help students prepare for Solo & Ensemble. Solo & Ensemble is a great opportunity for young musicians to perform solos and small chamber ensembles in front of judges to receive ratings and valuable feedback on their performances. Here’s my advice to receive a Superior rating this year at Solo & Ensemble: Prepare Practice Perform Repeat Just like learning a new piece of music, performing is a skill that takes time and practice to develop. The more you practice performing, the better musician…

  • Band Directors: Quick Fixes to Help Improve Your Clarinet Section

    Hats off to all the band directors out there! I truly respect what you do for music and music education. I think one instrument is challenging enough, and it’s amazing that you make all of them sound great together! Throughout the years, I’ve had the opportunity to work with several band programs at the middle school, high school, and university levels. During these clinics, I’ve created the following list of quick fixes to help your clarinet section sound even more awesome than they do now: Ligature before reed. (This one is especially important for beginning band) From day one, train your clarinetists to always put on the ligature before placing…

  • The Science of Squeaking – What Your Squeaks are Trying to Tell You

    If you’re a clarinetist, you probably learned very quickly that squeaks are just a fact of life. Hopefully, as you improve and begin to develop your skills on the clarinet, your squeaks will become fewer and less frequent. But in the meantime, let’s talk about ways you can stop the squeaking. First of all, what is a squeak? (besides embarrassing, if you’re in band class) A squeak is simply an unexpected overtone. More simply put, a squeak is just a really high note that you played by accident. Here’s a bit of clarinet acoustic science: Whenever we play any note on the clarinet (called the fundamental), we are actually hearing…

  • Metronome Mistakes You Might Be Making

    Just like most people know they should be staying hydrated, sleeping more than 6 hours every night, and not subsisting on an abundance of caffeinated beverages, most musicians know that they should probably be using a metronome when they practice. My students already know that I’m a bit of a metronome fanatic. Not only does regular metronome use help you to develop stable rhythm, but this rhythmic stability in turns creates more precise technique. (imperfect rhythm leads to imperfect technique) If you’ve already embraced the power of the metronome (good for you!), make sure you aren’t making any of these mistakes which could diminish your progress. Metronome mistakes you might…

  • Band directors: Should your clarinetists be double tonguing?

    Throughout the years, I’ve taught quite a few sectionals and have worked with many school clarinet programs, and a common question band directors ask is if their clarinetists should be double tonguing. There are no definitive answers because it depends on the ability level and repertoire of your band program, but here are my thoughts: (Disclaimer: These are my opinions as a clarinet performer, researcher, and pedagogue. Band directors reading this know the ability levels of their students and can make specific recommendations and decisions based on their musicians.) If I had to give a universal answer, I would say that no, clarinetists shouldn’t be expected to double tongue (at…

  • 9 Educational and Engaging Ideas for Zoom Studio Classes

    Although teaching online will never replace in-person lessons, digital platforms like Zoom can present many opportunities to explore new methods to teach and share information. Here are a few ideas to shake things up at your next Zoom studio class: Organize a listening quiz. Create a playlist and use screen share to see how many students can correctly identify each piece. (Make sure to allow sharing of computer audio so students can actually hear the music, and make sure to hide the names of each piece.) Compete in a trivia challenge. You can use Zoom’s poll features to quiz students on repertoire, history, theory, pedagogy, and other important fundamentals. Host…

  • Ways to maximize your online music education this semester

    Music education certainly looks different this year as students and educators prepare for the start of a new semester. While each program has different rules and guidelines governing music education during this time, there are a few ways you can maximize your online experience as a music student or educator: Organize your work area. Before the semester starts, take a few hours to declutter and clean your work space. Tidy up loose papers at your desk, corral your cables and wires, find a comfortable chair, make sure you have good lighting, hang up photos or artwork, and gather all the supplies you’ll need so everything is in one place. Consider…

  • Let’s talk about reed rotation

    What is reed rotation and why is it important? Reed rotation is just what it sounds like – rotating the reeds you use when you practice or perform so that they all break in evenly. As a reed player, rotating your reeds is one of the simplest things you can do that will yield more consistent reeds and extend the lifespan of your reeds. Reed rotation is important because it provides you with more reed options in any given musical situation. If you rotate your reeds, you will have several good reeds in your case at a time, as opposed to one good reed which might vary from day to…

  • How often should you clean or replace your clarinet swab?

    If I ask you a question, do you promise you’ll give an honest answer? When was the last time you cleaned or replaced your clarinet swab? If you’re like many clarinetists (especially younger students who are learning the ins and outs of the instrument), chances are it’s been a while. Before I share my advice, I would like to offer a huge disclaimer that I am a classically trained clarinetist – not a medical or scientific professional. If you have specific questions about germs and the clarinet, especially concerning the clarinet during the current pandemic, you should look for scientific, peer-reviewed studies for this information. Back to cleaning your swab.…