• Celebrating 400 Blog Posts on Jenny Clarinet: A Retrospective Musical Journey

    My, oh my, how the time flies! When I started Jenny Clarinet back in 2015, I had no idea the journey I was about to undertake. I started Jenny Clarinet right before I moved to Paris as a way to share my musical musings, clarinet pedagogy, and travel updates along my clarinet career. For my 400th blog post, I would like to share 10 musical memories this blog has given me the opportunity to experience. I’m humbled and so grateful for all of the musical connections and memories created via this blog, and here are a few of my favorites: Thank you so much for your support and contributions to…

  • Quick Fix Friday: Tune by Trends, Not by Notes

    Happy Friday! Does it seem like you’re always having to adjust by pushing in or pulling out? If so, you’re probably tuning based on individual notes. The quick fix? Tune according to trends, not according to individual notes. What does that mean? When you tune, you should choose a few reliable notes on your clarinet (I like written low C, open G, middle C, and top line F on clarinet). Play these with a tuner and look for overall trends. If you are “trending” sharp, most or all of these notes are sharp. Conversely, if you are “trending” flat, most or all of your notes are flat. If you adjust…

  • Stravinsky’s Secret 4th Piece for Solo Clarinet

    Serious clarinetists are probably all-too familiar with Igor Stravinsky’s devilishly difficult Three Pieces for solo clarinet, written in 1918 and published in 1919. This piece was written as a thank-you present to philanthropist and amateur clarinetist Werner Reinhart (1884-1951) for his support of Stravinsky’s music. This is one of the first true unaccompanied solos in the clarinet repertoire, and it is commonplace for this work to be asked on auditions because it demonstrates the player’s technical and lyrical abilities. Another unique element of this piece is that it is written for both B-flat and A clarinet in the same piece (the first two movements are “preferably” on A clarinet, while…