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International Day of Baermann
Calling all clarinetists! Last October, I created the Baermann Boot Camp, a practice plan which allows you to complete Carl Baermann’s eponymous scale book in one month. Clarinetists from around the world bonded over torturous key signatures and those dreadful octaves, and we emerged stronger and more technically proficient after an intensive month of scales. A lot of people probably thought I was crazy for cramming so much music into just 31 days. Well, I’m about to share an even more ambitious idea. I’d like to introduce the inaugural International Day of Baermann on October 24, in honor of the 208th birthday of our patron saint of scales. To celebrate, we’ll be…
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The Beginner’s Guide to Orchestral Excerpts
If you’re a musician, you’ve probably crossed paths with a few orchestral excerpts throughout the years. For such short snippets of symphonic literature, you’d think excerpts would be more manageable and less stressful…but unfortunately, that’s not the case. For the uninitiated, what are orchestral excerpts and what’s the big deal? I remember my first experience with an orchestral excerpt. I was asked to record an excerpt from the Brahms 3rd Symphony for an audition in early high school. Having been raised as your typical band geek, I was well-versed in the ways of marching band tunes, patriotic pep songs, and other school band toe-tappers, but I had had little knowledge…
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Quick Fix Friday: No More Peekaboo Pinky
Today’s Quick Fix Friday concerns a fingering issue I see all the time with beginner clarinet players – the dreaded peekaboo pinky! Most clarinet and band method books begin clarinet students with easy fingerings involving only the left hand, such as bottom line E or open G. This is practical for ease of technique and response, but many beginning clarinet students are often unsure what to do with the right hand. As a result, they develop bad finger and hand position habits as they devise ways to hold the clarinet more comfortably. The most common offense I see is holding the pinky (especially on the right hand) behind the clarinet,…
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Moving to Montréal!
It’s crazy how seemingly innocuous decisions can impact your life. Take, for example, my decision to play the clarinet. I was a shy, bookish 10-year-old when I started band. I thought it would be a fun way to hang out with my friends and be exempt from gym. Little did I know that a chunk of grenadilla wood would change my life. Playing the clarinet has given me opportunities I never dreamed possible and introduced me to incredible people from around the world. Just three years ago, I moved to Paris and started this blog. During this time, I learned French, received a Master de musicologie, interprétation et patrimoine, studied…
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Happy 100th birthday Leonard Bernstein!
Long-time Jenny Clarinet readers know that Leonard Bernstein is my musical role model and one of my greatest sources of inspiration (even before it became in vogue to share the Lenny love for his 100th birthday). Fun fact: In 2010, I contacted the Norton A History of Western Music textbook because they had listed his birth year as 1916 instead of 1918. They fixed it in their next edition! A musical multi-hyphenate, Bernstein used art to spread joy, share knowledge, and remove barriers during his entire career. His tireless enthusiasm for music is refreshing, and I hope that these quotes inspire you as much as they do me! (Most…
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So You Want to Play an Auxiliary Clarinet?
One of the great things about the clarinet is that it has quite the extended family. From the mighty contra-bass clarinet to the wailing E-flat clarinet, there is a veritable orchestra of clarinets at our disposal. Although each clarinet uses basically the same fingerings and similar fundamentals, each auxiliary clarinet presents its own unique challenges. Here’s everything you need to known about playing an auxiliary clarinet: Why should you play an auxiliary clarinet? To become more marketable. More clarinets = more gigs. Your band director or ensemble conductor asked you to double or switch. Most importantly: because clarinets are cool and you want to learn an auxiliary clarinet! Which auxiliary…
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The Clarinetist’s College Packing List
It’s that time of year again – school bells are ringing, stores are advertising discounted school supplies, and college-bound musicians are preparing for their impending move. I’m preparing for my own upcoming move to Montreal, so I thought it would be nice to share my packing list for all my fellow clarinetists (because we all know that I have a slight obsession with making lists). Keep in mind that this list is just music-related products and is not comprehensive, so don’t forget to pack the essentials (you know, like clothes and stuff). clarinets – Bb, A, Eb, bass, plastic clarinet for marching band, or any other clarinets you may need…
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30 Day Long Tone Challenge
So now that you know all about long tones, it’s time to hit the practice room! The concept is simple: challenge yourself to play long tones every day for 30 days. First, choose which long tone level you are currently: Long tone newbie. You’re a beginner or younger student and have never practiced long tones before. Goal: Make long tones a regular part of your practice routine and find long tone exercises which you will practice consistently. Long tone frenemy. You have a love-hate relationship with long tones. You occasionally practice long tones, but you struggle with finding long tones that you like. Goal: Figure out how you can make long…
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The Complete Guide to Long Tones
You’ve probably heard your band director, private teacher, or other well-meaning music instructor tout the benefits of long tones at some point during your musical career. Maybe you’ve even been known to play a few long tones yourself (when the mood strikes). Better yet, maybe long tones are as integral to your daily routine as your morning coffee (#longtonesforlife). So what’s the big deal about long tones anyway? There’s a reason everybody keeps talking about long tones – they’re kind of a big deal for musicians. Whether you’re a long tone skeptic or believer, there’s no argument that long tones are super important for your musical growth and development. Much like…
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Brymer Burns ?
Celebrated English clarinetist Jack Brymer was not one to mince his words. While reading his book Clarinet, I’ve noted some of my favorite subtle critiques he offers, which I’ve dubbed “Brymer Burns.” Repertoire On the Bernstein Sonata: Possibly better to play than to hear, but makes its mark with audiences. On the Brahms sonatas: Little needs to be said about these two masterpieces except that they do belong to the clarinet and not to the viola. On the Antony Garlic Sonata for E flat clarinet: Modern, not difficult, and (dare one say?) highly flavoured. On the Saint-Saens Sonata. Slow movement is weak. On the Templeton Pocket Sized Sonatas: Should not…
