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Quick Fix Friday: Right Pinky
Hello, and happy Friday the 13th! Today’s quick fix will help polish your technique and make technical passages so much easier, all in one fell swoop. The secret? When possible, use your right pinky to play low E, F, F#/Gb, and G#/Ab or middle B, C, C#/Db, and D#/Eb (aka the “pinky notes”). If you’re coming from or going to another pinky note, this won’t work (Clarinet Commandment: Thou shalt never slide from one pinky note to another). But take a look at the final line of Cavallini’s “Adagio and Tarantella”: It is much easier to play B with your right pinky than your left (or with both pinkies). Keep…
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Quick Fix Friday: Breath Attacks
What I’m about to tell you is so incredibly simple, you’ll be mad you didn’t think of it on your own (unless you already know, in which case, carry on with your Friday). You don’t have to use your tongue to start a note. Mind blown? In beginning band, most wind instrumentalists are taught to tongue every note, and we do so diligently as we progress. (This is not an article on proper tonguing technique – that’s for another day). There is nothing wrong with tonguing every note, but by using a breath attack, you are able to get a more delicate response from your instrument. If you didn’t already…
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Ways to Upcycle Your Plastic Reed Cases
If you’re a single reed player (here’s looking at you clarinets and saxophones), you’ve probably hoarded enough plastic reed cases to build a small house for your cat. These plastic sleeves are useful in safely delivering reeds straight from the factory to your awaiting mouthpieces, but after you move the reeds from their sleeves to your reed cases (or other preferred method of storage), what can you do with the plastic sleeves? What’s the difference between recycling and upcycling? Basically, recycling is when an object changes forms. For example, a recycled Coke can might become a bicycle or parts for an airplane. This is a great website on recycling and discovering…
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10 Nightmares That Will Terrify Every Clarinetist
In honor of Halloween, here is a devilishly spooky list of things which will cause clarinetists around the world to seek cover under the nearest blanket and scream in terror. Read at your own risk, and don’t say I didn’t warn you! Playing the “Scherzo” from Mendelssohn’s A Midsummer Night’s Dream…at 100 Being asked to solo the Mozart Concerto…and only having your Bb clarinet Perfecting an orchestral excerpt…before realizing it was written for C clarinet Reading the required audition excerpts list…and seeing the name Ginastera Dropping your mouthpiece…your original 1960s Kaspar Having to perform Peter and the Wolf…transposed half a step higher Being asked to solo with an orchestra…playing the Corigliano Concerto…tomorrow Realizing…
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Quick Fix Friday: Right Hand “Sliver” Key
Call it what you like – sliver key, banana key (as I learned it in middle school), fork key – I’m talking about the key between the second and third tone hole of the right hand. This key is used for high D#/Eb, top line F#/Gb, and low A#/Bb. It’s pretty self-explanatory, but by changing one tiny detail, you can improve your response and technique. Does this passage strike fear in the hearts of my fellow clarinetists? (For those that don’t know this excerpt, it’s from Debussy’s Premiere Rhapsody for Clarinet.) Have you ever squeaked on this D#? Had a stuffy or delayed response? It’s probably because you’re not using the correct part…
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Overcome Your Practice Plateau With These Practice Hacks
Have you ever walked out of the practice room and wondered what the heck you spent the last few hours doing? Maybe it wasn’t a terrible practice session, but it probably wasn’t that great either, right? Sometimes practicing feels like walking up the down escalator – having to redo passages you’ve already practiced, struggling with the same problems, zoning out or going on autopilot, or not knowing how to take your music to the next level. Congratulations, you’ve reached a practice plateau. Practice plateaus occur when we become complacent with our practice routine. It’s so easy to make practicing just another item on your endless to-do list, but when you’re not dedicating focus…
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Quick Fix Friday: Reed Placement
One of my favorite masterclass moments was when an audience member asked the pedagogue, “What about reeds?” To which he responded, “Yes, reeds are a good idea.” Reeds are either the best part of our day or the bane of our existence. So many factors affecting reeds are out of our control – humidity, temperature, altitude, full moons, what color socks you wear (just kidding on the last two, but doesn’t it feel that way sometimes?). There is one thing within your control which can make a huge difference in how well your reeds responds, and that is the reed placement on the mouthpiece. This is highly individual, but a…
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How to Cure “Musician’s Block”
Why do only writers get a name for dry spells in creativity (aka writer’s block)? All artists, whether it be painters, dancers, actors, or musicians, are prone to slumps in inspiration. Henceforth, let’s start referring to this as musician’s block (or musician’s Bloch is you like a good composer pun). An unfair advantage writers and other artists have over musicians is that they usually have a tangible stopping and starting point from which to resume. If a writer is stuck on the ending of a novel, their existing work doesn’t vanish. Musicians’ work is dependent on daily practice – a drop in creativity during an important performance or audition can…
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Quick Fix Friday: Better Rhythm in Ten Seconds
No, this won’t be about using your metronome (which is the best way to stabilize and improve rhythm). Today’s quick fix is so simple and fast, but very few musicians are doing it. Ready for the secret? Count off. Mind blown? Before you begin playing anything, count at least two measures in your head. If you’re comfortable tapping your foot, this will also help internalize the tempo. Just make sure you aren’t counting by moving part of your body which can affect any fundamentals – like clarinetists moving the elbow or shoulder, which can disrupt the embouchure….and make you look like a chicken trying to fly. How do you find…
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Why All State Auditions are Stunting your Musical Growth
Let me preface this post by saying that I have had nothing besides positive experiences from All State band and orchestra (except for the sporadic bouts of crippling self doubt and heart-palpitating audition anxiety, but that’s for another discussion). It is a great way to fuel competitive spirit among young musicians while fostering friendship and teamwork. I am still close friends with several people I met in All State band and orchestra nearly ten years ago (I even went to prom with a fellow All State clarinetist!). Social aspects aside, All State ensembles are an incredible opportunity for growing musicians. The key word here is “growing” musician. In middle and…