In addition to the abundance of clarinet history’s unsolved mysteries, there is also evidence of secret societies in clarinet history. Most notably is Austrian clarinetist Anton Stadler (1752-1812), who is well-known as “Mozart’s clarinetist.” Mozart and Stadler became good friends and were both fellow Freemasons during the latter half of the 18th century. There are many rumors, mysteries, and even conspiracy theories surrounding Freemasons, but at its core, Freemasons were (and continue to be) a fraternal organization with the goals of enlightenment for its members. “Big deal, Mozart and Stadler hung out together in a fraternal group,” you might be thinking. You’re not wrong, but there are some interesting things…

Did you know that one of clarinet history’s most celebrated composers might be responsible for partially inspiring Gaston Leroux’s novel The Phantom of the Opera? A bit of background: Even if you haven’t read the book, you’re probably familiar with the story of The Phantom of the Opera. A quick primer for anyone who’s unfamiliar: a mysterious phantom named Erik lives under the Paris Opera house, the Palais Garnier, in a subterranean lake. He falls in love with soprano Christine, much to the displeasure of her friend Raoul. As in most operas, drama, destruction, and diabolical plans ensue. Gaston Leroux was partially inspired by the rumors and unusual occurrences that…