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Debunking Popular Clarinet Reed Myths
I’ve been on a reed kick lately. As I was writing my last article, The Complete Guide to Clarinet Reeds, I realized that there are several reed myths which are still being perpetuated. My mission? To debunk these popular clarinet reed myths! Myth: The harder the reed, the better the player. Truth: Don’t let anyone reed-shame you! Reed strength is chosen according to your mouthpiece. A closer tip opening = harder reeds, whereas a more open tip = softer reeds. Most clarinetists begin playing on a strength 2 or 2.5 reed and move up to 3 when they get above the staff. Once they are comfortable playing in all registers,…
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The Complete Guide to Clarinet Reeds
Let me begin with an unorthodox yet effective introductory quote from Sun Tzu’s The Art of War: “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” If you prefer something more succinct, allow me to paraphrase Forrest Gump: “Life is like a box of reeds – you never know what you’re going to get!” I’ve created this Complete Guide to Clarinet Reeds as a resource to help clarinetists of…
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Don’t put this one thing in your clarinet case
To be fair, there are several things you probably shouldn’t put in your clarinet case – sticky food, beverages in non-leakproof containers, glitter… But there is one clarinet item you should be cautious about keeping in your clarinet case: A new mouthpiece! There are a few layers to this statement – you should not keep a new clarinet mouthpiece in your case if you have a clarinet with silver keys. This is due to the sulfur in hard rubber mouthpieces reacting with the silver in the keys. (You can read a short blurb about this chemical reaction on Michael Lowenstern’s website.) Here’s a photo of a clarinet which has been…
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10 Quick Tips to Help Band Directors Improve Your Clarinet Section
Band directors are kind of like musical superheroes – they have to maintain a working knowledge of all common (and sometimes not-so-common) band instruments. Not only this, but they have to share it in an easy-to-understand format with multiple students every day. Let’s hear it for band directors! Although I’ve never been a band director, I’ve worked in hundreds of band classes around North America, specifically with woodwind and clarinet sections. I’d like to share a few quick tips with big payoffs to all the band directors out there to share with your clarinet sections: And here are a few bonus clarinet care tips to help avoid accidents and broken…
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The Complete Guide to Getting a Superior at Solo & Ensemble
One of my most popular blog posts ever is my Complete Guide to Making All State, so I thought it’s about time I make a similar guide to help students prepare for Solo & Ensemble. Solo & Ensemble is a great opportunity for young musicians to perform solos and small chamber ensembles in front of judges to receive ratings and valuable feedback on their performances. Here’s my advice to receive a Superior rating this year at Solo & Ensemble: Prepare Practice Perform Repeat Just like learning a new piece of music, performing is a skill that takes time and practice to develop. The more you practice performing, the better musician…
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Band Directors: Quick Fixes to Help Improve Your Clarinet Section
Hats off to all the band directors out there! I truly respect what you do for music and music education. I think one instrument is challenging enough, and it’s amazing that you make all of them sound great together! Throughout the years, I’ve had the opportunity to work with several band programs at the middle school, high school, and university levels. During these clinics, I’ve created the following list of quick fixes to help your clarinet section sound even more awesome than they do now: Ligature before reed. (This one is especially important for beginning band) From day one, train your clarinetists to always put on the ligature before placing…
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The Science of Squeaking – What Your Squeaks are Trying to Tell You
If you’re a clarinetist, you probably learned very quickly that squeaks are just a fact of life. Hopefully, as you improve and begin to develop your skills on the clarinet, your squeaks will become fewer and less frequent. But in the meantime, let’s talk about ways you can stop the squeaking. First of all, what is a squeak? (besides embarrassing, if you’re in band class) A squeak is simply an unexpected overtone. More simply put, a squeak is just a really high note that you played by accident. Here’s a bit of clarinet acoustic science: Whenever we play any note on the clarinet (called the fundamental), we are actually hearing…
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Metronome Mistakes You Might Be Making
Just like most people know they should be staying hydrated, sleeping more than 6 hours every night, and not subsisting on an abundance of caffeinated beverages, most musicians know that they should probably be using a metronome when they practice. My students already know that I’m a bit of a metronome fanatic. Not only does regular metronome use help you to develop stable rhythm, but this rhythmic stability in turns creates more precise technique. (imperfect rhythm leads to imperfect technique) If you’ve already embraced the power of the metronome (good for you!), make sure you aren’t making any of these mistakes which could diminish your progress. Metronome mistakes you might…
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Band directors: Should your clarinetists be double tonguing?
Throughout the years, I’ve taught quite a few sectionals and have worked with many school clarinet programs, and a common question band directors ask is if their clarinetists should be double tonguing. There are no definitive answers because it depends on the ability level and repertoire of your band program, but here are my thoughts: (Disclaimer: These are my opinions as a clarinet performer, researcher, and pedagogue. Band directors reading this know the ability levels of their students and can make specific recommendations and decisions based on their musicians.) If I had to give a universal answer, I would say that no, clarinetists shouldn’t be expected to double tongue (at…
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9 Educational and Engaging Ideas for Zoom Studio Classes
Although teaching online will never replace in-person lessons, digital platforms like Zoom can present many opportunities to explore new methods to teach and share information. Here are a few ideas to shake things up at your next Zoom studio class: Organize a listening quiz. Create a playlist and use screen share to see how many students can correctly identify each piece. (Make sure to allow sharing of computer audio so students can actually hear the music, and make sure to hide the names of each piece.) Compete in a trivia challenge. You can use Zoom’s poll features to quiz students on repertoire, history, theory, pedagogy, and other important fundamentals. Host…