• The Clarinetist’s Companion to Daphnis et Chloé

    If you’re on the orchestral clarinet audition circuit, chances are you’ve encountered the second orchestral suite from Daphnis et Chloé. This suite is from the one-act ballet (or choreographic symphony, as Ravel himself described it) premiered at the Théâtre du Châtelet in Paris in 1912, and it has haunted challenged clarinetists ever since. The original ballet is about an hour long, but Ravel created two orchestral suites which can be performed with our without a chorus. The second suite, our topic of discussion today, is more commonly performed and features the recognizable “Danse générale.” Without further ado, let’s dive into some tips and tricks to help you prepare this challenging excerpt!…

  • The Beginner’s Guide to Orchestral Excerpts

    If you’re a musician, you’ve probably crossed paths with a few orchestral excerpts throughout the years. For such short snippets of symphonic literature, you’d think excerpts would be more manageable and less stressful…but unfortunately, that’s not the case. For the uninitiated, what are orchestral excerpts and what’s the big deal? I remember my first experience with an orchestral excerpt. I was asked to record an excerpt from the Brahms 3rd Symphony for an audition in early high school. Having been raised as your typical band geek, I was well-versed in the ways of marching band tunes, patriotic pep songs, and other school band toe-tappers, but I had had little knowledge…