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9 Mistakes Many Beginning Clarinetists Make
Learning the clarinet certainly takes a lot of trial and error (and many squeaks along the way!). Even though it can be challenging, it is musically rewarding across all styles and genres. If you are learning clarinet, be sure you’re not making any of these 9 mistakes common among beginning clarinetists: I hope these tips help you along your clarinet journey! Happy practicing!
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Top Tuning Tips for Clarinetists
How do you tune a clarinet? (Fill in your favorite punch line) Clarinet tuning can be tricky! After all, we have so many variables which can affect tuning, from temperature, reeds, barrels, and more. I’ve written several articles throughout the years on clarinet tuning, and I want to share my top tuning tips to help you play more in tune on the clarinet. (Before you read this article, I suggest reading my Complete Guide to Clarinet Tuning for an in-depth understanding of clarinet tuning. You might also like my Common Clarinet Tuning Mistakes.) Let’s get started! Here are my top tips for clarinet tuning: Happy practicing!
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The Ultimate List of Clarinet Method Books
Clarinetists are #blessed to have so many wonderful pieces and study materials written for us. (It’s no surprise, since we obviously play the best instrument!) School is just around the corner, which makes this the perfect time to browse this list and order new music for you (or your students)! I’ve organized these books by topic and focus, and each section is ordered alphabetically by composer’s last name. (Learn more about my T3 approach to clarinet fundamentals.) These books are intended for upper intermediate and advanced players to continue developing clarinet fundamentals. I’ve also linked to several related articles in their respective section for further reading. You can find several…
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Proper Ligature Placement on the Clarinet
Ligatures play an important role in any clarinetist’s life – they hold the reed on the mouthpiece! But did you know that ligature placement can affect your sound and response? Read on for more photos and information to ensure you are using proper ligature placement while playing clarinet. (Before continuing, you should check out my Complete Guide to Clarinet Ligatures. I’ve also linked other relevant articles at the bottom of this one.) Proper ligature placement The ligature should be placed under the filed or unfiled portion of the reed. (Pro tip: An easy way to differentiate the two is that unfiled have the U-shape, so you can remember U for…
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Have Clarinet, Will Travel: Essential Tips for Travelling with Your Clarinet
It’s no secret that I love to travel! I’ve travelled around the world (40 countries and counting!) for concerts and recitals. Along the way, I’ve picked up several tips and tricks to make travelling with your clarinet(s) smoother and stress-free. (Psst! I mostly travel with my B-flat and A clarinets. If you’re travelling with a bass clarinet, check out this excellent article from the International Clarinet Association.) Here are my top tips to travelling with a clarinet Air travel Once you’ve reached your destination General advice Bon voyage!
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Transform Your Clarinet Tone: The Ultimate Troubleshooting Guide
One of the most important things musicians have to offer is their tone. Your tone is your musical voice, which is why it’s important to work on developing your absolute best sound. I’ve written a few articles and resources before on this subject (such as How to Improve Your Clarinet Tone and Sculpt Your Sound Workbook). Today, I want to share a troubleshooting guide to help you identify possible tone issues and how to resolve them. Let’s get started! Use the table below to find your tone issues in the left column and suggested troubleshooting tips in the right column. If your tone… Then try… lacks focus/sounds fuzzy using faster…
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How to avoid popped attacks on clarinet
Imagine this – you’re standing on stage, the lights are dimmed, and you’re ready to play your first entrance when… A sharp spike in the sound ruins the moment you’ve been practicing! Popped attacks are unfortunately very common on the clarinet. These can be frustrating, but these can be avoided with these tips. First up, what causes popped attacks? These are the most common causes of popped attacks, but keep in mind that there might be other factors which can contribute to popped attacks on the clarinet. Now that we know some causes of popped attacks, here are some tips to avoid popped attacks on clarinet: You might also like…
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Debunking Popular Clarinet Reed Myths
I’ve been on a reed kick lately. As I was writing my last article, The Complete Guide to Clarinet Reeds, I realized that there are several reed myths which are still being perpetuated. My mission? To debunk these popular clarinet reed myths! Myth: The harder the reed, the better the player. Truth: Don’t let anyone reed-shame you! Reed strength is chosen according to your mouthpiece. A closer tip opening = harder reeds, whereas a more open tip = softer reeds. Most clarinetists begin playing on a strength 2 or 2.5 reed and move up to 3 when they get above the staff. Once they are comfortable playing in all registers,…
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Don’t put this one thing in your clarinet case
To be fair, there are several things you probably shouldn’t put in your clarinet case – sticky food, beverages in non-leakproof containers, glitter… But there is one clarinet item you should be cautious about keeping in your clarinet case: A new mouthpiece! There are a few layers to this statement – you should not keep a new clarinet mouthpiece in your case if you have a clarinet with silver keys. This is due to the sulfur in hard rubber mouthpieces reacting to the silver in the keys. (You can read a short blurb about this chemical reaction on Michael Lowenstern’s website.) Here’s is a photo of a clarinet which has…
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Stravinsky’s Secret 4th Piece for Solo Clarinet
Serious clarinetists are probably all-too familiar with Igor Stravinsky’s devilishly difficult Three Pieces for solo clarinet, written in 1918 and published in 1919. This piece was written as a thank-you present to philanthropist and amateur clarinetist Werner Reinhart (1884-1951) for his support of Stravinsky’s music. This is one of the first true unaccompanied solos in the clarinet repertoire, and it is commonplace for this work to be asked on auditions because it demonstrates the player’s technical and lyrical abilities. Another unique element of this piece is that it is written for both B-flat and A clarinet in the same piece (the first two movements are “preferably” on A clarinet, while…