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Uhl Boot Camp
It’s been exactly one year since I launched my first boot camp on Jenny Clarinet! After the success of my Baermann Boot Camp from last October, I made my Kroepsch Boot Camp this past summer, and I even created a year-long boot camp for all you hard-core clarinetists out there! This time around, we’ll be tackling the notoriously difficult 48 Studies by Alfred Uhl. Treacherously technical and tonically tedious, these studies will be completed over the course of two months, focusing on one etude a day. I’ve never worked on the Uhl studies before, and a lot of my readers told me that they were planning to start working on them, so it looks…
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International Day of Baermann
Calling all clarinetists! Last October, I created the Baermann Boot Camp, a practice plan which allows you to complete Carl Baermann’s eponymous scale book in one month. Clarinetists from around the world bonded over torturous key signatures and those dreadful octaves, and we emerged stronger and more technically proficient after an intensive month of scales. A lot of people probably thought I was crazy for cramming so much music into just 31 days. Well, I’m about to share an even more ambitious idea. I’d like to introduce the inaugural International Day of Baermann on October 24, in honor of the 208th birthday of our patron saint of scales. To celebrate, we’ll be…
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The Beginner’s Guide to Orchestral Excerpts
If you’re a musician, you’ve probably crossed paths with a few orchestral excerpts throughout the years. For such short snippets of symphonic literature, you’d think excerpts would be more manageable and less stressful…but unfortunately, that’s not the case. For the uninitiated, what are orchestral excerpts and what’s the big deal? I remember my first experience with an orchestral excerpt. I was asked to record an excerpt from the Brahms 3rd Symphony for an audition in early high school. Having been raised as your typical band geek, I was well-versed in the ways of marching band tunes, patriotic pep songs, and other school band toe-tappers, but I had had little knowledge…
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Quick Fix Friday: No More Peekaboo Pinky
Today’s Quick Fix Friday concerns a fingering issue I see all the time with beginner clarinet players – the dreaded peekaboo pinky! Most clarinet and band method books begin clarinet students with easy fingerings involving only the left hand, such as bottom line E or open G. This is practical for ease of technique and response, but many beginning clarinet students are often unsure what to do with the right hand. As a result, they develop bad finger and hand position habits as they devise ways to hold the clarinet more comfortably. The most common offense I see is holding the pinky (especially on the right hand) behind the clarinet,…
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So You Want to Play an Auxiliary Clarinet?
One of the great things about the clarinet is that it has quite the extended family. From the mighty contra-bass clarinet to the wailing E-flat clarinet, there is a veritable orchestra of clarinets at our disposal. Although each clarinet uses basically the same fingerings and similar fundamentals, each auxiliary clarinet presents its own unique challenges. Here’s everything you need to known about playing an auxiliary clarinet: Why should you play an auxiliary clarinet? To become more marketable. More clarinets = more gigs. Your band director or ensemble conductor asked you to double or switch. Most importantly: because clarinets are cool and you want to learn an auxiliary clarinet! Which auxiliary…
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The Complete Guide to Long Tones
You’ve probably heard your band director, private teacher, or other well-meaning music instructor tout the benefits of long tones at some point during your musical career. Maybe you’ve even been known to play a few long tones yourself (when the mood strikes). Better yet, maybe long tones are as integral to your daily routine as your morning coffee (#longtonesforlife). So what’s the big deal about long tones anyway? There’s a reason everybody keeps talking about long tones – they’re kind of a big deal for musicians. Whether you’re a long tone skeptic or believer, there’s no argument that long tones are super important for your musical growth and development. Much like…
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Brymer Burns ?
Celebrated English clarinetist Jack Brymer was not one to mince his words. While reading his book Clarinet, I’ve noted some of my favorite subtle critiques he offers, which I’ve dubbed “Brymer Burns.” Repertoire On the Bernstein Sonata: Possibly better to play than to hear, but makes its mark with audiences. On the Brahms sonatas: Little needs to be said about these two masterpieces except that they do belong to the clarinet and not to the viola. On the Antony Garlic Sonata for E flat clarinet: Modern, not difficult, and (dare one say?) highly flavoured. On the Saint-Saens Sonata. Slow movement is weak. On the Templeton Pocket Sized Sonatas: Should not…
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Quick Fix Friday: Breathe Like Kirby
I love video games, especially when I can combine them with clarinet pedagogy. This week’s Quick Fix Friday is an analogy to help younger students (especially gamers) visualize proper breathing. I’ve taught dozens of beginner clarinetists over the years, and one of the most important fundamentals they must learn is air and breath support. Many younger students aren’t using enough air, and I can only say “More air!” so many times before we both get frustrated. Enter Kirby. He (or she??) is cute, cotton-candy pink…and a breathing machine! Anyone that’s ever underestimated Kirby in SSB (that’s Super Smash Bros., for any of my non-gamer readers) knows that his gale-force wind…
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Quick Fix Friday: Head Position
It’s been a hot minute since I’ve posted a Quick Fix Friday, so I’d thought I’d remedy that with a quick post on proper head position. You probably know not to slouch, cross your feet, or allow other poor posture habits into your practicing, but when was the last time you checked out your head position? An alarming number of clarinetists (student and professional) are guilty of dipping their heads towards their chests when they play. This is a no-no because it constricts your air flow, and we all know that bad air = bad sound. The quick fix? Check your head position in a mirror while you’re practicing to…
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The Musician’s Guide to Overcoming Burnout and Amotivation
Being a musician is pretty awesome most of the time. You get to work with talented colleagues, play amazing repertoire, and share your art with audiences. But then there are those times when being a musician is stressful, invalidating, and downright lonely. Musicians can experience crippling anxiety, self-doubt, and constant pressure from listeners. But usually, this pressure comes from within. I’ve gotten quite a few private messages on social media the last few weeks from people who are lacking motivation and feeling burnt out: “The fire is gone.” “I’m struggling to find the same drive I had when I first started getting serious about music.” If this sounds all too…