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Quick Fix Friday: Listen before you look
Happy Friday! If you’re trying to improve your listening skills (for pitch and/or rhythm), there’s one important thing you need to do… Listen before your look at the tuner or metronome! Instead of constantly looking at your tuner or metronome, take a few seconds to listen to yourself. How do you think your pitch is? Is it sharp? Flat? By how much? For rhythm, are you lining up with the metronome? Are you rushing? Slowing down? Once you’ve listened and answered these questions, look at your tuner or met. Were your answers close to the results you see? By listening to yourself before looking at external sources (aka your tuner…
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How to avoid popped attacks on clarinet
Imagine this – you’re standing on stage, the lights are dimmed, and you’re ready to play your first entrance when… A sharp spike in the sound ruins the moment you’ve been practicing! Popped attacks are unfortunately very common on the clarinet. These can be frustrating, but these can be avoided with these tips. First up, what causes popped attacks? These are the most common causes of popped attacks, but keep in mind that there might be other factors which can contribute to popped attacks on the clarinet. Now that we know some causes of popped attacks, here are some tips to avoid popped attacks on clarinet: You might also like…
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Debunking Popular Clarinet Reed Myths
I’ve been on a reed kick lately. As I was writing my last article, The Complete Guide to Clarinet Reeds, I realized that there are several reed myths which are still being perpetuated. My mission? To debunk these popular clarinet reed myths! Myth: The harder the reed, the better the player. Truth: Don’t let anyone reed-shame you! Reed strength is chosen according to your mouthpiece. A closer tip opening = harder reeds, whereas a more open tip = softer reeds. Most clarinetists begin playing on a strength 2 or 2.5 reed and move up to 3 when they get above the staff. Once they are comfortable playing in all registers,…
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The Complete Guide to Clarinet Reeds
Let me begin with an unorthodox yet effective introductory quote from Sun Tzu’s The Art of War: “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” If you prefer something more succinct, allow me to paraphrase Forrest Gump: “Life is like a box of reeds – you never know what you’re going to get!” I’ve created this Complete Guide to Clarinet Reeds as a resource to help clarinetists of…
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Don’t put this one thing in your clarinet case
To be fair, there are several things you probably shouldn’t put in your clarinet case – sticky food, beverages in non-leakproof containers, glitter… But there is one clarinet item you should be cautious about keeping in your clarinet case: A new mouthpiece! There are a few layers to this statement – you should not keep a new clarinet mouthpiece in your case if you have a clarinet with silver keys. This is due to the sulfur in hard rubber mouthpieces reacting to the silver in the keys. (You can read a short blurb about this chemical reaction on Michael Lowenstern’s website.) Here’s is a photo of a clarinet which has…
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Quick Fix Friday: Lean into lower notes
Happy Friday! Have you ever seen a passage like the one below with large intervallic leaps? Passages like this can be difficult both technically and on a musical level. The tendency is for the higher notes to pop out, and there is often an imbalance in dynamics. The quick fix? Lean into the lower notes! When you have large intervallic leaps, many clarinetists focus on the higher notes. This makes sense, since they’re more likely to pop or squeak. Instead of focusing on the higher notes, lean into the lower notes. These should serve as a musical springboard to catapult you to the higher notes. This will also help equalize…
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Around the World in Eighty Pieces – #4 Estonia
Welcome to my new series, Around the World in Eighty Pieces! I’m excited to combine my love of travelling and clarinet repertoire by sharing a clarinet composition I “discovered” in each country. This series is not meant to be a comprehensive overview of the clarinet music from each country; rather, this is an appetizer to ignite your curiosity to learn more about the music, repertoire, and clarinet cultures of each place. I love learning about other clarinet music from around the world, so please contact me or leave a comment with other pieces you would like to share. A common question I get asked is what my favorite country is. It’s hard to…
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How to improve a spitty sound on the clarinet
Let’s be honest – not everything about the clarinet is as glamorous as it might seem. One not-so-glamorous aspect of playing the clarinet? Spit! Spit happens, especially to wind players. (At least clarinetists don’t have to worry about a spit valve!) Spitty sounds are caused by – you guessed it – a buildup of saliva on the reed and/or in the mouthpiece. (Note that for the purposes of this article, we will discuss spitty sounds. If your sound is fuzzy or unfocused, here are my tips to help you improve your clarinet tone.) Here are a few reasons you have a spitty sound, with suggestions for improvement: According to the…