• The Clarinetist’s College Packing List

    It’s that time of year again – school bells are ringing, stores are advertising discounted school supplies, and college-bound musicians are preparing for their impending move. I’m preparing for my own upcoming move to Montreal, so I thought it would be nice to share my packing list for all my fellow clarinetists (because we all know that I have a slight obsession with making lists). Keep in mind that this list is just music-related products and is not comprehensive, so don’t forget to pack the essentials (you know, like clothes and stuff). clarinets – Bb, A, Eb, bass, plastic clarinet for marching band, or any other clarinets you may need…

  • 30 Day Long Tone Challenge

    So now that you know all about long tones, it’s time to hit the practice room! The concept is simple: challenge yourself to play long tones every day for 30 days. First, choose which long tone level you are currently: Long tone newbie. You’re a beginner or younger student and have never practiced long tones before. Goal: Make long tones a regular part of your practice routine and find long tone exercises which you will practice consistently. Long tone frenemy. You have a love-hate relationship with long tones. You occasionally practice long tones, but you struggle with finding long tones that you like. Goal: Figure out how you can make long…

  • Brymer Burns ?

    Celebrated English clarinetist Jack Brymer was not one to mince his words. While reading his book Clarinet, I’ve noted some of my favorite subtle critiques he offers, which I’ve dubbed “Brymer Burns.” Repertoire On the Bernstein Sonata: Possibly better to play than to hear, but makes its mark with audiences. On the Brahms sonatas: Little needs to be said about these two masterpieces except that they do belong to the clarinet and not to the viola. On the Antony Garlic Sonata for E flat clarinet: Modern, not difficult, and (dare one say?) highly flavoured. On the Saint-Saens Sonata. Slow movement is weak. On the Templeton Pocket Sized Sonatas: Should not…

  • The ABC’s of Famous Clarinetists

    The other night, I was having some trouble falling asleep. I tossed and turned, thoughts racing through my head. Most normal people (aka non-musicians) might count sheep or count backwards from 300 in increments of 3. What did my eternally dorky clarinet self do? I tried to name a famous clarinetist for every letter of the alphabet. I’ll admit, I had to stretch the rules a few times (using first names instead of last), but here are the names I used: Arrignon, Michel Baermann, Carl/Heinrich Cavallini, Ernesto Draper, Charles Eban, Eli Fröst, Martin Galper, Avrahm Hermstedt, Johann Ivy Benson Juler, Pauline Kell, Reginald Langenus, Gustave Marcellus, Robert Neidich, Charles Opperman,…

  • The Musician’s Guide to Overcoming Burnout and Amotivation

    Being a musician is pretty awesome most of the time. You get to work with talented colleagues, play amazing repertoire, and share your art with audiences. But then there are those times when being a musician is stressful, invalidating, and downright lonely. Musicians can experience crippling anxiety, self-doubt, and constant pressure from listeners. But usually, this pressure comes from within. I’ve gotten quite a few private messages on social media the last few weeks from people who are lacking motivation and feeling burnt out: “The fire is gone.” “I’m struggling to find the same drive I had when I first started getting serious about music.” If this sounds all too…

  • The Complete Guide to the Clarinet Altissimo Register

    The clarinet is blessed with the largest range of the entire woodwind family. But Voltaire (and Peter Parker) were right when they warned us, “With great power comes great responsibility.” Our responsibility? To perfect the altissimo register so we don’t burst nearby eardrums or alarm any dogs in the nearby vicinity. The clarinet follows a logical fingering and keywork system. Once you’ve mastered crossing the break from the throat tone to the clarion register, all is fine and dandy until you start inching higher away from the staff. Things quickly turn from straightforward to clunky and confusing once clarinetists venture above the upper break (above high C) into altissimo-land. Then…

  • How to Overcome Audition Success Envy

    Have you ever been mindlessly scrolling through social media, hypnotized by the lulling stream of memes, relationship updates, cat videos, and then suddenly….BAM! Your friend of a friend of a friend made an announcement that they just won a position with the Awesome Symphony/Fantastic University/insert other cool opportunity. You’re immediately happy for them, but you can’t fight the quiet jealousy lingering at the back of your mind. Does that make you a bad person? Musicians are prone to a unique emotion – audition success envy. Part jealousy, part crippling self-doubt, audition success envy is the confusing feeling you get when somebody you know wins an audition (or achieves some other…

  • The Prepared Musician’s Pre-Performance Mental Checklist

    Every musician is familiar with the barrage of thoughts that flutter through their mind before beginning a performance. “What if I have a memory slip? Where is my teacher sitting? Why didn’t I choose a less stressful career??” This cacophony of thoughts is normal, and with time you will learn how to control them. In the meantime, there are several productive thoughts to improve your next performance. I’ve created this pre-performance checklist for my own performances, and I remind all of my students to use these steps to maximize their performances and auditions. Here is my pre-performance mental checklist: Don’t be in a hurry to begin playing. Fight the urge…

  • Kroepsch Boot Camp

    After the success of my Baermann Boot Camp from last October, I’ve been getting a lot of requests to do another boot camp. After all, scales and technical studies are much more palatable when you suffer practice together, right? For this boot camp, I’ve chosen the Kroepsch 416 Progressive Daily Studies for the Clarinet, which are one of my ride or die clarinet studies. And a lot of you agreed – the Facebook poll I created on Jenny Clarinet resulted in an overwhelming majority of Kropesch fans (sorry Jettel, you’ll have to wait your turn!). So, without further ado, I’d like to introduce the Kroepsch Boot Camp, a practice routine designed…

  • Clarinet Crimes You Might Be Unknowingly Committing

    As the self-appointed clarinet police, it’s my job to keep the clarinet community safe from crime. Here are some crimes many clarinetists are unknowingly committing: Infractions Flipping from middle B to C. The “pinky keys” can be confusing, and you should avoid sliding from one key to the other on the same side. But why make extra work for yourself when you can play B with both pinkies and simply lift the left pinky to produce C? Adding the Eb pinky key on high C#. The clarinet is not a perfect instrument. Some notes are atrociously out of tune, C# being one of them. Adding the pinky key just makes…