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Quick Fix Friday: Right Pinky
Hello, and happy Friday the 13th! Today’s quick fix will help polish your technique and make technical passages so much easier, all in one fell swoop. The secret? When possible, use your right pinky to play low E, F, F#/Gb, and G#/Ab or middle B, C, C#/Db, and D#/Eb (aka the “pinky notes”). If you’re coming from or going to…
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Quick Fix Friday: Breath Attacks
What I’m about to tell you is so incredibly simple, you’ll be mad you didn’t think of it on your own (unless you already know, in which case, carry on with your Friday). You don’t have to use your tongue to start a note. Mind blown? In beginning band, most wind instrumentalists are taught to tongue every note, and we…
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Ways to Upcycle Your Plastic Reed Cases
If you’re a single reed player (here’s looking at you clarinets and saxophones), you’ve probably hoarded enough plastic reed cases to build a small house for your cat. These plastic sleeves are useful in safely delivering reeds straight from the factory to your awaiting mouthpieces, but after you move the reeds from their sleeves to your reed cases (or other…
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10 Nightmares That Will Terrify Every Clarinetist
In honor of Halloween, here is a devilishly spooky list of things which will cause clarinetists around the world to seek cover under the nearest blanket and scream in terror. Read at your own risk, and don’t say I didn’t warn you! Playing the “Scherzo” from Mendelssohn’s A Midsummer Night’s Dream…at 100 Being asked to solo the Mozart Concerto…and only having your Bb…
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Quick Fix Friday: Right Hand “Sliver” Key
Call it what you like – sliver key, banana key (as I learned it in middle school), fork key – I’m talking about the key between the second and third tone hole of the right hand. This key is used for high D#/Eb, top line F#/Gb, and low A#/Bb. It’s pretty self-explanatory, but by changing one tiny detail, you can improve your…
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Overcome Your Practice Plateau With These Practice Hacks
Have you ever walked out of the practice room and wondered what the heck you spent the last few hours doing? Maybe it wasn’t a terrible practice session, but it probably wasn’t that great either, right? Sometimes practicing feels like walking up the down escalator – having to redo passages you’ve already practiced, struggling with the same problems, zoning out or…
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Quick Fix Friday: Reed Placement
One of my favorite masterclass moments was when an audience member asked the pedagogue, “What about reeds?” To which he responded, “Yes, reeds are a good idea.” Reeds are either the best part of our day or the bane of our existence. So many factors affecting reeds are out of our control – humidity, temperature, altitude, full moons, what color…
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How to Cure “Musician’s Block”
Why do only writers get a name for dry spells in creativity (aka writer’s block)? All artists, whether it be painters, dancers, actors, or musicians, are prone to slumps in inspiration. Henceforth, let’s start referring to this as musician’s block (or musician’s Bloch is you like a good composer pun). An unfair advantage writers and other artists have over musicians…
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Quick Fix Friday: Better Rhythm in Ten Seconds
No, this won’t be about using your metronome (which is the best way to stabilize and improve rhythm). Today’s quick fix is so simple and fast, but very few musicians are doing it. Ready for the secret? Count off. Mind blown? Before you begin playing anything, count at least two measures in your head. If you’re comfortable tapping your foot,…
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Why All State Auditions are Stunting your Musical Growth
Let me preface this post by saying that I have had nothing besides positive experiences from All State band and orchestra (except for the sporadic bouts of crippling self doubt and heart-palpitating audition anxiety, but that’s for another discussion). It is a great way to fuel competitive spirit among young musicians while fostering friendship and teamwork. I am still close…