• Quick Fix Friday: Right Hand “Sliver” Key

    Call it what you like – sliver key, banana key (as I learned it in middle school), fork key – I’m talking about the key between the second and third tone hole of the right hand. This key is used for high D#/Eb, top line F#/Gb, and low A#/Bb. It’s pretty self-explanatory, but by changing one tiny detail, you can improve your response and technique. Does this passage strike fear in the hearts of my fellow clarinetists? (For those that don’t know this excerpt, it’s from Debussy’s Premiere Rhapsody for Clarinet.) Have you ever squeaked on this D#? Had a stuffy or delayed response? It’s probably because you’re not using the correct part…

  • Quick Fix Friday: Reed Placement

    One of my favorite masterclass moments was when an audience member asked the pedagogue, “What about reeds?” To which he responded, “Yes, reeds are a good idea.” Reeds are either the best part of our day or the bane of our existence. So many factors affecting reeds are out of our control – humidity, temperature, altitude, full moons, what color socks you wear (just kidding on the last two, but doesn’t it feel that way sometimes?). There is one thing within your control which can make a huge difference in how well your reeds responds, and that is the reed placement on the mouthpiece.  This is highly individual, but a…

  • Quick Fix Friday – Lunglock

    Breathing. I’ve always thought it was funny that we spend our entire life without thinking about it, then we pick up an instrument (with a few exceptions, of course) and forget everything we know about breathing. Wind instrumentalists will undoubtedly spend many hours studying charts and diagrams of the lung’s relation to the oral cavity; attend several lessons or masterclasses on the discussion of “proper breathing”; or even take up cardio activities (hey, it can’t hurt!). There are even courses designed to facilitate better breathing techniques, such as The Breathing Gym. How can something so natural cause so much angst among musicians (unless you had the foresight to choose violin,…

  • Quick Fix Friday – Middle B

    Remember when you were first learning to play the clarinet? Chances are, your first note was open G, bottom line E, or low C. Things were great (minus the inevitable squeaks) and all was smooth sailing until you reached middle B. I remember my middle school band director telling me that middle B was the hardest note to learn on the clarinet. At the time, I laughed inwardly as I breezed through the chalumeau register…..and then came to an abrupt halt as I approached the clarion register. From a young age, I learned never to doubt your band director. Why is middle B so difficult for beginners to play at…

  • 5th European Clarinet Festival – Belgium

    What a whirlwind these past few weeks have been!  In preparation for our performance at the 5th European Clarinet Festival in Belgium, the Versailles Clarinet Choir had almost-daily rehearsals. Naturally, this was the perfect time for me to get sick. Combine these with the beginning of classes (with hour-long commutes to and from Versailles), and you have the perfect storm of chaotic scheduling.  Although it was a stressful couple of days, I had an amazing time in Belgium and am so grateful for such an incredible opportunity! After an early-morning train ride from Gare du Nord (which I spent trying to stop an incessant cough), we arrived in Ghent around…

  • 10 Ways to Become a Better Clarinetist In Under 10 Seconds

    We’ve all seen them – the magazines at checkout counters promising wildly unrealistic results for weight loss (lose twenty pounds in one week!), finances (become a millionaire by next year!), or life in general (be the most popular person in any room!). These are certainly enticing but are based on skewed results, making their promises nearly impossible to reproduce. And for the most part, mastering an instrument is no exception. It is the accumulation of years of dedicated practice, critique, performances, and hard work. There is no substitute for this (and if you find one, please let me know!), but enough tiny changes can add up to make a big…

  • Books Every Clarinetist Should Have on Their Bookshelf (Or Kindle)

    I have been a bookworm ever since I first started reading. Combine my love of books with my passion for clarinet, and you’ve created nirvana. In the age of the Internet, there are a multitude of resources for recordings, sheet music, and information readily available for any musical queries. Having the world at your fingertips is an amazing thing, but for me, there is nothing quite like the feel of a sturdy book in your hands (it’s even better if accompanied by coffee or tea). For those of you who share these sentiments, I have compiled a list of my favorite books on everything clarinet. Certain items on this list…