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2025 March Madness – Clarinet Sonatas
Who will be crowned the ultimate clarinet sonata? Let’s find out in the Jenny Clarinet March Madness Sonatas tournament! Back by popular demand, this clarinet-specific March Madness-style tournament was created as a fun and interactive way to discover new clarinet sonatas and revisit timeless favorites. Here’s how it works: I’ve modeled this March Madness bracket after the famous American basketball tournament brackets (for all you sports fans). I selected 32 clarinet sonatas, including both standards and lesser-known favorites of mine. Using an online randomizer, these 32 sonatas were listed in a random order to create the “matches” for the first round lineup. Each day in March, I will post a…
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What do the Weber concerti and Brahms sonatas have in common?
There’s an interesting connection between Carl Maria von Weber’s two clarinet concerti and Brahms two clarinet sonatas. Any guesses what it is? Notice any similarities? They share the same key signatures! So, is this pure coincidence, or was this intentional on Brahms’ part? Weber composed his two clarinet concerti in 1811 for the German clarinetist Heinrich Baermann. Eighty years later in March 1891, Brahms heard German clarinetist Richard Mühlfeld perform Weber’s Concerto No. 1 in f minor with the Meiningen Court Orchestra. Brahms was captivated by Mühlfeld’s playing and subsequently wrote a clarinet trio, quintet, and the two aforementioned sonatas for Mühlfeld. In addition to sharing the same key signatures…
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Did Rossini really compose his Introduction, Theme and Variations?
Longtime readers of this blog know that there are countless unsolved mysteries of clarinet history, and I’m fascinated by these! Today, we’re delving into a work which I consider to be one of the top 50 standard works for clarinet – Rossini’s Introduction, Theme and Variations! Background Italian composer Gioachino Rossini (1792-1868) composed Introduction, Theme and Variations around 1819, and it was dedicated to clarinetist Allesandro Abate. Abate was a clarinet professor in Naples, Italy, and he performed as principal clarinet at the Teatro La Munizione in Messina from 1815-1816. The Introduction features lyrically florid clarinet passages, demonstrating the instrument’s expressive capabilities. The music is from Rossini’s opera Mosè in Egitto…
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Did Weber write a third clarinet concerto?
Longtime readers of this blog know that there are several unsolved mysteries throughout clarinet history. One that I find particularly interesting is the possibility of Weber’s third clarinet concerto. Most clarinetists are undoubtedly familiar with the clarinet works of Carl Maria von Weber (1786-1826). His famous Concertino, Op. 26, Concerto No. 1 in f minor, Op. 73, and Concerto No. 2 in E-flat Major, Op. 74 were written in 1811 for German clarinet virtuoso Heinrich Baermann (1784-1847).These works have become standard clarinet repertoire and demonstrate the clarinet’s lyrical and technical capabilities. If only Weber had composed another clarinet concerto… According to Weber’s diary, he was working on a clarinet concerto…
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25 Clarinet repertoire hidden gems to perform in 2025
Happy New Year! I hope 2025 brings you health, happiness, and lots of great music! Speaking of great music, the clarinet community is #blessed to have such a wide variety of repertoire. It’s no secret that I enjoy “collecting” lesser-known repertoire, so I wanted to share 25 of my favorite hidden gems in the clarinet repertoire. Here are 25 hidden gem clarinet pieces you should learn/perform in 2025: (pieces listed alphabetically by composer’s last name) These are some of my favorite hidden gems of the clarinet repertoire, and I’ve performed several of these. Leave a comment below with your favorites or recommendations!
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The Ultimate List of Clarinet Method Books
Clarinetists are #blessed to have so many wonderful pieces and study materials written for us. (It’s no surprise, since we obviously play the best instrument!) School is just around the corner, which makes this the perfect time to browse this list and order new music for you (or your students)! I’ve organized these books by topic and focus, and each section is ordered alphabetically by composer’s last name. (Learn more about my T3 approach to clarinet fundamentals.) These books are intended for upper intermediate and advanced players to continue developing clarinet fundamentals. I’ve also linked to several related articles in their respective section for further reading. You can find several…
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Around the World in Eighty Pieces – #4 Estonia
Welcome to my new series, Around the World in Eighty Pieces! I’m excited to combine my love of travelling and clarinet repertoire by sharing a clarinet composition I “discovered” in each country. This series is not meant to be a comprehensive overview of the clarinet music from each country; rather, this is an appetizer to ignite your curiosity to learn more about the music, repertoire, and clarinet cultures of each place. I love learning about other clarinet music from around the world, so please contact me or leave a comment with other pieces you would like to share. A common question I get asked is what my favorite country is. It’s hard to…
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Around the World in Eighty Pieces – #3 Faroe Islands
Welcome to my new series, Around the World in Eighty Pieces! I’m excited to combine my love of travelling and clarinet repertoire by sharing a clarinet composition I “discovered” in each country. This series is not meant to be a comprehensive overview of the clarinet music from each country; rather, this is an appetizer to ignite your curiosity to learn more about the music, repertoire, and clarinet cultures of each place. I love learning about other clarinet music from around the world, so please contact me or leave a comment with other pieces you would like to share. Background If we’ve ever spoken IRL, you know that it’s only a matter of time…
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Stravinsky’s Secret 4th Piece for Solo Clarinet
Serious clarinetists are probably all-too familiar with Igor Stravinsky’s devilishly difficult Three Pieces for solo clarinet, written in 1918 and published in 1919. This piece was written as a thank-you present to philanthropist and amateur clarinetist Werner Reinhart (1884-1951) for his support of Stravinsky’s music. This is one of the first true unaccompanied solos in the clarinet repertoire, and it is commonplace for this work to be asked on auditions because it demonstrates the player’s technical and lyrical abilities. Another unique element of this piece is that it is written for both B-flat and A clarinet in the same piece (the first two movements are “preferably” on A clarinet, while…
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Famous Clarinet Cadenzas
The clarinet has a wide variety of repertoire written throughout its history, and the collection only continues to grow as more people write for the best instrument around. Among these works, there are many pieces with famous clarinet cadenzas, or extended solo passages to demonstrate the virtuosic ability of the player. A brief history of the cadenza At the turn of the 19th century, cadenzas were improvised by the performer and typically placed at the end of the movement to demonstrate the performer’s technical dexterity. Over time, composers began creating and writing cadenzas in their works. While some were still placed at the end of movements, this was no longer…