• 20 Unaccompanied Clarinet Works from the 20th Century

    For an instrument with such an illustrious history, the clarinet is relatively new to the unaccompanied scene. Excluding the Stadler Caprices and Donizetti Studie, there are virtually no works for solo clarinet until the 20th century. Here are 20 standard works for solo clarinet from the 20th century, arranged alphabetically. I have chosen these pieces for their historical significance and importance within the clarinet repertoire. By no means is this intended to serve as a comprehensive list of unaccompanied clarinet repertoire from the 20th century. These are milestone works of clarinet literature, and there are countless other masterpieces written for solo clarinet. Malcolm Arnold – Fantasy for Clarinet, Op. 87 (1966)…

  • Books Every Clarinetist Should Have on Their Bookshelf – Part 2

    There’s something about these cold, dreary days that makes curling up with a good book extra appealing. I’ve always been an avid bookworm, and I especially love reading books about clarinet or music in general. There’s only so much you can learn in a practice room, and these books are great supplements to your music education. Longtime readers will remember one of my first articles, Books Every Clarinetist Should Have on Their Bookshelf (Or Kindle). This list has only grown over the years, hence the need for part 2! As before, this is not a comprehensive list. Some of these books are currently out of print, but many used copies can…

  • Ways To Learn A New Piece (Without Actually Practicing)

    Don’t get me wrong – there is no substitute for focused and efficient hard work in the practice room. When you perform, you are relying on the countless hours of  diligent practice and preparation to execute that tricky technical passage or awkward meter. That being said, a comprehensive understanding of any piece must also include familiarity with the historical, cultural, and musical implications of the piece. The well-rounded musician must prepare both inside and outside the practice room. Here are the non-practice steps I take when learning new repertoire: Listening Listen to recordings. Listen to several different recordings by different artists. It sounds obvious, but you’d be surprised by how many…

  • 13 Recordings Every Clarinetist Should Hear

    There are thousands of amazing recordings by talented clarinetists from around the world, and I’ve chosen some of my favorites for the following list. I’ve chosen these recordings based on their historical significance and prominence among the clarinet community. This list just contains classical recordings, and I know that there are countless jazz recordings just waiting to get their own list. My list includes only solo and chamber music repertoire, so stay tuned for more lists with orchestral repertoire. By no means is this list meant to be comprehensive, and I would enjoy hearing about which pieces you would put on your own list. So, without further ado, here are…

  • 50 More Pieces Every Clarinetist Should Know

    In creating my 50 Pieces Every Clarinetist Should Know, I had the tough task of cultivating a list of just 50 landmark works for clarinet. I had to leave many worthy and deserving pieces off the list, which is why I decided to create a Part 2 with 50 more pieces every clarinetist should know. Clarinetists are lucky to have a repertoire so diverse, and it is impossible to list every milestone work for the instrument. Here are my suggestions of important clarinet pieces, which I have chosen based upon their historical significance and prominence. By no means is this list intended to be comprehensive or universal, so as always,…

  • 50 Pieces Every Clarinetist Should Know

    One of the best parts about playing the clarinet is the wonderful repertoire written for the instrument. From classical to jazz (and every genre in between), there will never be a shortage of great clarinet music. The plethora of clarinet repertoire can be overwhelming, so I’ve compiled a list of 50 pieces that every serious clarinetist should know. Hopefully, you will have the opportunity to perform many of these pieces during your clarinet careers. In the meantime, it’s important to recognize these pieces and to know about their history and significance within the clarinet repertoire. Most of these scores can be accessed via the IMSLP (International Music Score Library Project)…

  • Planning Your Junior or Senior Recital: A Timeline and Checklist

    Planning a recital takes a lot of work, both inside and outside the practice room. Expectation and stress levels are high, especially if this is your first recital. Here is my timeline and checklist for planning your recital. You’ll notice that I’ve left out one obvious part – practicing. Practice and prepare as much as possible throughout your recital preparation period. The more prepared you are, the less nervous you will feel on your big day. Keep in mind that these timelines may change depending on your skill level and/or time demands, and some of these suggestions may be optional:   6 months until recital   Pick a date. Confirm…

  • Musical Advice in 140 Characters or Less

    With the rise of Twitter, there is a new-found expectation of delivering information in a short and concise method – a tweet.  140 characters or less, to be specific. Twitter is a great platform to edit your thoughts and present them as succinctly as possible to the public.  Although not ideal for music education, there are certain doctrines which can be conveyed in the character count of a tweet.  Here are some of mine: More air, less fingers (specific to instrumentalists) Phrase horizontally, not vertically Be present when you practice Match your tone when you tongue to your tone when you slur Always play with a beautiful sound Practice your scales!…

  • Lies My Band Director Told Me

    In honor of Teacher Appreciation Week, this article is for some of the hardest-working teachers out there – music teachers! Thank you for enduring all the squeaks, scratchy bowings, loud trumpets, and forgotten mutes! “One more time!” “You would make a great bassoonist/alto clarinetist/other auxiliary instrumentalist nobody else wants to play!” “Rehearsal will only be two hours!” “Just because you’re in band doesn’t make you a band geek!” “Band camp is really fun!” “It’s not that fast!” “More piccolo!” “We won’t practice outside if it rains.” If you are a music teacher, how many of these have you said (or what other small fibs do you tell your students)?

  • Musical Advice I’d Give My Younger Self

    Let’s pretend for a moment that time travel exists. Besides disrupting the space/time continuum to visit the dinosaurs, joust with knights, or see Mozart perform (all high on my list!), I assume you’d also want to visit your former self to give them advice about the future (or maybe just leads on popular stocks). I was practicing the Francaix Clarinet Concerto earlier this week and was thinking how awesome it would be if I could transfer my current technical abilities to a past version of myself (if only, if only!), which got me thinking about what I would tell past-Jenny. What would I do differently if I could restart my clarinet career…