• New Year’s Resolutions for Musicians

    I love hitting the refresh button every year on December 31st. There’s something invigorating about starting fresh on January 1, with a newfound reserve of motivation and determination. Longtime Jenny Clarinet readers know that I love lists, and New Year’s resolutions are no exception. For the past few years, I’ve used NYE as an opportunity to evaluate all that I’ve done throughout the year and prepare myself for the year to come. A little bit of planning and organization now will help you save time and sanity later in the year. Plus, this is a cozy and productive way to stay inside on these cold winter days. Here are some…

  • 2018 Jenny Clarinet Boot Camp

    The 2018 Jenny Clarinet Boot Camp is a downloadable practice plan and guide created to improve clarinet fundamentals. Each month contains a different method book or solo work, which I have organized into daily assignments. Each day features specific exercises to be incorporated into your practice routine. Make 2018 the year of building technique and improving fundamentals! Here is the schedule: January – Vade-Mecum de Clarinettiste February – Klosé Scales and Exercises March – Rose 32 Etudes April – Kell 17 Staccato Studies May – Kroepsch 416 Progressive Daily Studies, Vols. 1 & 2 June – Mozart Clarinet Concerto in A Major, K. 622 July – Stiévenard Practical Study of the Scales August…

  • ♪ 12 Days of Scalemas ♪

    ‘Tis the season – for scales! The concept is simple: much like the annoyingly catchy holiday song, you’ll be given a new item (in this case, scale) each day. By the end of the 12 days, you’ll have the gift of scale mastery (which, in my humble opinion, is much better than swans a-swimming and maids a-milking). Choose your difficulty level – beginner, intermediate, or advanced – and a start date. Commit to learning, relearning, or practicing the assigned scales each day, and you’ll emerge a more technically proficient musician by the end of the holiday season! 12 Days of Scalemas – Beginner 12 Days of Scalemas – Intermediate 12…

  • Ways To Learn A New Piece (Without Actually Practicing)

    Don’t get me wrong – there is no substitute for focused and efficient hard work in the practice room. When you perform, you are relying on the countless hours of  diligent practice and preparation to execute that tricky technical passage or awkward meter. That being said, a comprehensive understanding of any piece must also include familiarity with the historical, cultural, and musical implications of the piece. The well-rounded musician must prepare both inside and outside the practice room. Here are the non-practice steps I take when learning new repertoire: Listening Listen to recordings. Listen to several different recordings by different artists. It sounds obvious, but you’d be surprised by how many…

  • Baermann Boot Camp

    I love practicing scales, but I have a confession… I’ve never made it through the entire Baermann scale book (Division 3, Op. 63). I’ll pick bits and pieces to practice occasionally, but I have never developed a regimen to complete the entire book in a structured routine. Don’t get me wrong: I practice scales every day, but I like variety. I’ll use the Baermann for a few days, then switch to Klosé or Stievenard, then practice without any book at all. I like to keep things interesting. I’ve used many scale books throughout the years, but my favorite will always be the Baermann. Which is why I decided to create the…

  • 50 More Pieces Every Clarinetist Should Know

    In creating my 50 Pieces Every Clarinetist Should Know, I had the tough task of cultivating a list of just 50 landmark works for clarinet. I had to leave many worthy and deserving pieces off the list, which is why I decided to create a Part 2 with 50 more pieces every clarinetist should know. Clarinetists are lucky to have a repertoire so diverse, and it is impossible to list every milestone work for the instrument. Here are my suggestions of important clarinet pieces, which I have chosen based upon their historical significance and prominence. By no means is this list intended to be comprehensive or universal, so as always,…

  • 50 Pieces Every Clarinetist Should Know

    One of the best parts about playing the clarinet is the wonderful repertoire written for the instrument. From classical to jazz (and every genre in between), there will never be a shortage of great clarinet music. The plethora of clarinet repertoire can be overwhelming, so I’ve compiled a list of 50 pieces that every serious clarinetist should know. Hopefully, you will have the opportunity to perform many of these pieces during your clarinet careers. In the meantime, it’s important to recognize these pieces and to know about their history and significance within the clarinet repertoire. Most of these scores can be accessed via the IMSLP (International Music Score Library Project)…

  • The Musician’s Practice Quilt

    If you’re a musician, you’ve undoubtedly heard the old adage “practice makes perfect” (or maybe even “perfect practice makes perfect” from your overzealous band director). Maybe you prefer the rhetorical “How do you get to Carnegie Hall? Practice, practice, practice!” We get it. There’s lots of practicing involved in this musician thing. But what does effective practice look and sound like? Proper practicing technique is an often neglected (or nonexistent) topic among private teachers and band directors. Most students are usually clear on what to practice, but it’s the how that gives them problems. If any of these sound familiar to you or your student, you are probably practicing ineffectively:…

  • Your One-Week Guide to Sounding Like You Practiced All Summer (Even When You Haven’t)

    I get it. School’s out, and you just need a short break after all the stress of juries, finals, recitals, exams, etc etc. Practice breaks are healthy, right? Then one week turns into two…which turns into a month…which brings us here today. You haven’t touched your instrument all summer (or at least in recent memory), and the impending start of school is causing a constant low-grade anxiety in the back of your mind. I’m not here to lecture or judge. We’ve all taken extended practice breaks, and unless you have the willpower of Beethoven, it’s easy fall off the practice bandwagon. Learn from your mistakes, move on, dust off your…

  • Quick Fix Friday: Open the Case!

    I see you over there, pretending like you’ve diligently practiced every day all summer, telling yourself you’ll practice…later…maybe… There will never be a shortage of reasons not to practice, especially in the summer. (It’s too hot! I’m so tired! One more episode! I’ll do it after lunch! I forgot to order new reeds! I haven’t practiced in so long! I’ll sound terrible! I’ll do it tomorrow!) We’ve all been guilty of this at some time or another during our musical careers. Like anything else that matters, you have to make time to practice. I get that you’re covetous of your free time in the summer, but even 30 minutes a…