• I Got (Better) Rhythm

    Let me begin this post with a potentially controversial statement: rhythm is the most important element of your musical foundation. Hear me out – other musical concepts such as tone, interpretation, and repertoire selection are very subjective and abstract. Even seemingly concrete aspects of pedagogy (embouchure, articulation, fingerings, posture) have fiercely divided and loyal devotees.  Don’t believe me? What syllable should be used for articulation? Dah? Dee? Tah? Tee? Tu? Your answer depends on your musical upbringing and a myriad of other factors. The one unifying element of music is rhythm.  Rhythm is the universal equalizer – musicians and non-musicians alike are capable of keeping a steady beat and recognizing…

  • The Complete Guide to Clarinet Tuning

    As if playing clarinet wasn’t already difficult enough (reeds, breathing, coordinating both hands) we also have to worry about tuning.  Tuning (also known as intonation) is more than just aiming for the green light on the tuner.  Tuning is a complex science with different variables specific to each instrument.  The most frustrating part? You must constantly listen and make adjustments – tuning isn’t something you can do on auto-pilot. Let’s start with the basics. What is tuning? Tuning is the adjustment of musical pitches to match a reference. The reference can be a variety of things, including frequency level (A=440 Hz in the United States), or other musicians with whom…

  • Musical Advice in 140 Characters or Less

    With the rise of Twitter, there is a new-found expectation of delivering information in a short and concise method – a tweet.  140 characters or less, to be specific. Twitter is a great platform to edit your thoughts and present them as succinctly as possible to the public.  Although not ideal for music education, there are certain doctrines which can be conveyed in the character count of a tweet.  Here are some of mine: More air, less fingers (specific to instrumentalists) Phrase horizontally, not vertically Be present when you practice Match your tone when you tongue to your tone when you slur Always play with a beautiful sound Practice your scales!…

  • Lies My Band Director Told Me

    In honor of Teacher Appreciation Week, this article is for some of the hardest-working teachers out there – music teachers! Thank you for enduring all the squeaks, scratchy bowings, loud trumpets, and forgotten mutes! “One more time!” “You would make a great bassoonist/alto clarinetist/other auxiliary instrumentalist nobody else wants to play!” “Rehearsal will only be two hours!” “Just because you’re in band doesn’t make you a band geek!” “Band camp is really fun!” “It’s not that fast!” “More piccolo!” “We won’t practice outside if it rains.” If you are a music teacher, how many of these have you said (or what other small fibs do you tell your students)?

  • Musical Advice I’d Give My Younger Self

    Let’s pretend for a moment that time travel exists. Besides disrupting the space/time continuum to visit the dinosaurs, joust with knights, or see Mozart perform (all high on my list!), I assume you’d also want to visit your former self to give them advice about the future (or maybe just leads on popular stocks). I was practicing the Francaix Clarinet Concerto earlier this week and was thinking how awesome it would be if I could transfer my current technical abilities to a past version of myself (if only, if only!), which got me thinking about what I would tell past-Jenny. What would I do differently if I could restart my clarinet career…

  • Mental Health Tips for Artists

    Mental health is not often discussed in the arts. Musicians, dancers, artists, photographers, and other creative fields have incredibly high-stress careers. Our livelihood is based on public approval, perception, and criticism. We spend countless hours practicing, perfecting, analyzing, improving, and examining our art. Our art is an extension of ourselves, and we expose our most vulnerable thoughts and emotions with family, friends, and complete strangers. By pursuing a career in the arts, you are unknowingly signing a contract which exposes you to a lifetime of criticism, rejection, and crippling self-doubt. Because creative fields are so competitive, you will receive ten rejections for every success (by my rough estimations). Also, balancing professional, personal,…

  • 9 Secrets Classical Musicians Won’t Tell You

    You probably have some preconceived notions about classical musicians. Maybe you’re thinking of that one annoying flute player that sat behind you in high school. Maybe you’re thinking of that one episode of Bugs Bunny (or if you’re a millennial, that episode of Hey Arnold! where they go to the opera). Whatever stereotypes you have about classical musicians, they’re probably untrue. Here are some secrets you may not know about classical musicians: 1) Classical music is not a 9-5 job. Most orchestras don’t have rehearsals or concerts every day. Non-musicians look at our schedules and think, “They only have 8 hours of rehearsals this week? That’s nothing – I work 50 hours every…

  • The Musician’s Practice Pyramid

    Have you ever walked (or dejectedly shuffled) into the practice room, begrudgingly opened your case, assembled your instrument….and wondered what the heck you have to practice? Maybe you’re overwhelmed with excerpts. Maybe you have to learn your scales for All State auditions. Or maybe you don’t even know what you should practice. Not to fear, my trusty Practice Pyramid is here! You’re probably familiar with the food pyramid from health classes past. It’s undergone a few makeovers recently, but the basic idea is essentially the same. A daily diet with the right proportions of certain foods will increase your overall health. Like the food pyramid, your practice routine should also…

  • Why Distractions Make You a Better Performer

    The crisp snap of the opening Coke can was followed by the rude guzzling of the ice-cold refreshment.  The fizz of carbonation gradually lessened after its owner noisily placed the soda on the folding table in the makeshift band room.  The entrance of a second soda-wielding woman was announced by a slamming door, causing the snare drums to sizzle.  As the two soda-slurping women discussed their lunch options, I focused on the manipulated sound of the electric keyboard playing the accompaniment to the lyrical movement of Carl Maria von Weber’s Clarinet Concerto No. 1 in F Minor, Op. 73.  This wasn’t a casual practice session – this was the final…

  • How to Start Your Own Classical Music “Book” Club

    Although most of my blog posts are tailored towards musicians, I am passionate about spreading the joys of classical music to everyone – musicians and non-musicians alike. Whether you played an instrument as a child, know a musician, or just enjoy classical music, I believe everyone should have a basic understanding and appreciation for classical music. That’s why I’m here – to help you create your own classical music appreciation club. Classical music often gets a bad reputation. My (non-musician) friends still don’t understand how I can sit through such long pieces when they are used to catchy, synthesized tunes in under five minutes. The general population associates classical music…