-
How to choose a new clarinet mouthpiece
Welcome to the wonderful world of clarinet mouthpieces! If you’re looking for a new clarinet mouthpiece, here’s everything you need to know: How do you know when it’s time to replace a clarinet mouthpiece? While mouthpieces can be played indefinitely (as long as they’re not broken), I recommend replacing your mouthpiece every 5-10 years, although this greatly depends on how much you play. If you notice that your sound seems lackluster, you experience more resistance when you play, or reed selection is more difficult than normal, it could be the mouthpiece. It’s always a good idea to have a back-up mouthpiece, so if you’re undecided about replacing mouthpieces now, you…
-
How to customize and set up a new clarinet
If you’re the proud owner of a new clarinet, congratulations! (Don’t worry if you’re still trying to choose a new clarinet – I’ve got you covered with some of my pro tips to help you select a new clarinet.) As you break in your new clarinet and familiarize yourself with the sound, feel, and tuning, I recommend having it set up and customized by a qualified repair tech. (If you’re looking how to assemble your clarinet, click here.) What does it mean to customize or set up your clarinet? Professional clarinets have remarkable consistency from one instrument to the next, but this also means that they will have to be…
-
The Beginner’s Complete Guide to the Clarinet
Congratulations for beginning your clarinet journey! ♫ The clarinet is by far the best instrument out there (or at least it is according to me and this small corner of the internet), and I have several resources to help you get started. I’ve written several articles which will help guide you along as you navigate the process of learning clarinet, and I’ve organized these into a sequential step-by-step outline below. 1. First things first – do you own a clarinet? If yes, proceed to the next step. If not, here are some articles which will help you determine the best choice for you: 2. Now that you have a clarinet,…
-
The Complete Guide to Clarinet Pinky Fingerings
When you first picked up a clarinet, you probably noticed that it has quite a lot of keys (especially if we compare it to a trumpet or trombone)! Even though there are a lot of keys on the clarinet, each finger has its designated place, and the mechanics of the clarinet are relatively straightforward until you get to the pinky keys (we’ll save the side and throat tone keys for another day). The pinky keys (as many clarinetists call them) are controlled by the pinky finger on the left and right hand. It’s ironic that our weakest finger is in charge of controlling four keys on each pinky! (Note: This…
-
The Complete Guide to Crossing the Break on the Clarinet
One of the most difficult fundamentals on the clarinet is crossing the break (which I abbreviate CTB). For such a small interval, it can certainly pose a multitude of problems. Here’s everything players and teachers should know to cross the break with confidence! What is the break? The break is the transition from the chalumeau (low) register to the clarion (middle) register. (There is also the upper break, when you transition from the clarion to the altissimo register, but we’ll save that for another article.) When clarinetists first cross the break, they are probably moving from a throat tone (open G, G#/Ab, A, or Bb) to the middle of the…
-
Clarinet Double Lip Embouchure: Overview, History, and Significance
To double lip, or not to double lip, that is the question (at least for many clarinetists)! There are few topics of debate which spark such spirited discussion among clarinetists as the decision to use a single or double lip embouchure. If you don’t already know, a single lip embouchure is one in which the lower lip covers the lower teeth, and the upper teeth make contact with the top of the mouthpiece. In a double lip embouchure, both lips (upper and lower) are curled over the teeth (again, both upper and lower), and the lips – not the teeth – make contact with the mouthpiece. This embouchure is like…
-
How to relearn the clarinet after an extended break
One of the great parts about playing clarinet is that it seems like everyone you talk to knows somebody who plays or played the clarinet. Once others discover that someone plays clarinet, they’ll usually reply, “Oh, my mom/dad/sibling/aunt/uncle/grandparent/–insert relative or friend– played clarinet!” The problem is that many of these clarinetists discontinue their studies when life gets in the way. I realize that not everyone is training to become the next superstar clarinetist (is that even a thing?), but it seems like such a shame to give up a fun hobby which can be a great outlet for self-expression and even cardio activity! I know most of us are stuck…
-
The Complete Guide to Becoming a Musicpreneur: Using Networking, Social Media, and Digital Marketing to Enhance Your Career
This blog post was originally presented as a live lecture on February 29, 2020 at Brandon University (Manitoba, Canada) during the 10th annual Brandon University Clarinet Festival hosted by Catherine Wood. What is a musicpreneur? A musicpreneur (musical entrepreneur) is a musician who can turn their skills, expertise, and opportunities into successful business ventures which can enhance their careers and from which others can benefit. What key qualities should a musicpreneur have? Ability to think outside the box. There are countless negative headlines claiming that there is no future for classical music. This isn’t true – there are more opportunities for musicians than ever, but careers are changing and look…
-
The Musician’s Guide to Studying Abroad: How to Turn Your Dreams Into Reality
Many musicians dream of one day studying abroad – to study with a certain teacher, experience different pedagogy, become fluent in another language, learn more about another culture, or just broaden their musical perspectives. But dreaming about studying abroad is where it ends for most people. I’m here to tell you how to turn your study abroad dreams into a reality. I’m an American clarinetist, and I’ve lived in 3 different countries and visited 30 countries (and counting!). I moved to Paris in August 2015 to study with Philippe Cuper at the Versailles Conservatory, where I received my master’s degree in Musique, interprétation et patrimoine (musical interpretation and cultural heritage).…
-
The Complete Guide to Developing Great Technique
Ask any musician one thing they wished they could improve, and chances are most will respond with technique. Whether you’re trying to play faster, lighter, or more comfortably, technique is the vehicle that allows us to more comfortably express our musical voices. The secret to developing great technique is to think of technique-building as musical muscle training. Musicians are athletes, but we train our micro muscles (embouchure, fingers, wrists) instead of our macro muscles. Think of yourself as an athlete in training – listen to your body and don’t push yourself too much too soon. Keep this in mind as you embark on your journey to better technique. Once you’ve…
