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How to choose a new clarinet mouthpiece
Welcome to the wonderful world of clarinet mouthpieces! If you’re looking for a new clarinet mouthpiece, here’s everything you need to know: How do you know when it’s time to replace a clarinet mouthpiece? While mouthpieces can be played indefinitely (as long as they’re not broken), I recommend replacing your mouthpiece every 5-10 years, although this greatly depends on how much you play. If you notice that your sound seems lackluster, you experience more resistance when you play, or reed selection is more difficult than normal, it could be the mouthpiece. It’s always a good idea to have a back-up mouthpiece, so if you’re undecided about replacing mouthpieces now, you…
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The Beginner’s Complete Guide to the Clarinet
Congratulations for beginning your clarinet journey! ♫ The clarinet is by far the best instrument out there (or at least it is according to me and this small corner of the internet), and I have several resources to help you get started. I’ve written several articles which will help guide you along as you navigate the process of learning clarinet, and I’ve organized these into a sequential step-by-step outline below. 1. First things first – do you own a clarinet? If yes, proceed to the next step. If not, here are some articles which will help you determine the best choice for you: 2. Now that you have a clarinet,…
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The Composer’s Guide to the Clarinet
If you’re a composer wanting to write for the clarinet, you’ve come to the right place! I’ve been very fortunate to have collaborated with some wonderful composers throughout the years, and I wanted to create this post to help anyone who wants to write for the world’s best instrument. ;) I’ve put together this list to help anyone who wants to learn more about what the clarinet can (and can’t) do. Before we dive in, it’s important to mention that these are general guidelines. Each clarinetist has different skills, specialties, and abilities, so when in doubt, ask them! Please keep in mind that this list is specifically targeted towards soprano…
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The Complete Guide to Scales
Longtime readers of this blog probably know by now that I’m a scale fanatic. Scales are one of my absolute favorite things to practice, and I think that they are also one of the most beneficial elements of any well-balanced practice routine. I spend a lot of time with my students explaining what scales are and why they’re so important, and I wanted to create this guide to share this information with you, whether you’re a beginner or scale aficionado. First things first – what is a scale? You’ll probably encounter several different definitions, depending on which music theory book you reference. Basically, a scale is a group of notes…
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The Complete Guide to Crossing the Break on the Clarinet
One of the most difficult fundamentals on the clarinet is crossing the break (which I abbreviate CTB). For such a small interval, it can certainly pose a multitude of problems. Here’s everything players and teachers should know to cross the break with confidence! What is the break? The break is the transition from the chalumeau (low) register to the clarion (middle) register. (There is also the upper break, when you transition from the clarion to the altissimo register, but we’ll save that for another article.) When clarinetists first cross the break, they are probably moving from a throat tone (open G, G#/Ab, A, or Bb) to the middle of the…
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Clarinet Method Books to Help Develop Diverse Musical Genres and Styles
It’s no secret by now that I love method books (as witnessed by my slowly increasing number of clarinet boot camps). Can’t get enough of ’em! I have a few favorite method books which are never too far from my music stand, but I do like to spice things up occasionally. I’ve worked through most of the standard books at this point – Baermann, Jettel, Klosé, Rose, Kell, Jeanjean, etc – and I thought it would be nice to explore a more diverse range of genres and styles for a change of musical pace. The clarinet is such a versatile instrument and can play music from a diverse repertoire, including…
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Clarinet Double Lip Embouchure: Overview, History, and Significance
To double lip, or not to double lip, that is the question (at least for many clarinetists)! There are few topics of debate which spark such spirited discussion among clarinetists as the decision to use a single or double lip embouchure. If you don’t already know, a single lip embouchure is one in which the lower lip covers the lower teeth, and the upper teeth make contact with the top of the mouthpiece. In a double lip embouchure, both lips (upper and lower) are curled over the teeth (again, both upper and lower), and the lips – not the teeth – make contact with the mouthpiece. This embouchure is like…
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The Complete Guide to Clarinet Articulation
There are more than a few…controversial…clarinet topics. Once you learn the basics, you learn that nothing is really as basic as it first appears. One of these hot topics? Articulation and tonguing. This is why I’ve waited so long to publish this complete guide. I’ve done guides on tuning, resonance fingerings, long tones, crossing the break, and other clarinet fundamentals, but discussing articulation to an audience of predominantly clarinetists seemed a bit ambitious, to say the least. Please note: Before we dive into this complete guide, I want to make it very clear that there are many different articulation beliefs, philosophies, fundamentals, and concepts in the clarinet world. Ask a…
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National Schools of Clarinet Playing
National schools of clarinet playing describe a group of clarinetists who share similar ideas of sound concept, pedagogy, fundamentals, and other ideological beliefs as they relate to the clarinet. These shared beliefs have been historically shaped by cultural, sociological, political, nationalistic, and other influences. These national schools are not as pronounced today due to technological advances and the blending of disparate cultural influences. I have included several major national schools of clarinet playing, but it is important to note that each country and larger geographical region has its own unique pedagogy and stylistic similarities. There are countless other prominent schools, including the Russian, Spanish, Israeli, Portuguese, Hungarian, Greek, Turkish, Chinese,…
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The Complete Guide to Becoming a Musicpreneur: Using Networking, Social Media, and Digital Marketing to Enhance Your Career
This blog post was originally presented as a live lecture on February 29, 2020 at Brandon University (Manitoba, Canada) during the 10th annual Brandon University Clarinet Festival hosted by Catherine Wood. What is a musicpreneur? A musicpreneur (musical entrepreneur) is a musician who can turn their skills, expertise, and opportunities into successful business ventures which can enhance their careers and from which others can benefit. What key qualities should a musicpreneur have? Ability to think outside the box. There are countless negative headlines claiming that there is no future for classical music. This isn’t true – there are more opportunities for musicians than ever, but careers are changing and look…
