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The Complete Guide to Clarinet Barrels
For such a small instrument, the clarinet certainly has quite the number of equipment and accessories! After you’ve sorted out your instrument, mouthpiece, reeds, ligature, and more, it’s probably time to evaluate your clarinet barrel. (Look at the further reading section at the end of this article for in-depth articles on these pieces of clarinet equipment.) Here’s everything you need to know about clarinet barrels Barrel basics Besides connecting your mouthpiece to the upper joint, barrels play a big factor in controlling your overall tuning. Barrels can mean the difference between tuning to A=400 Hz or A=442 Hz (or other!) Barrels are measured in millimeters (mm), and the most common…
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The Complete Guide to Clarinet Reeds
Let me begin with an unorthodox yet effective introductory quote from Sun Tzu’s The Art of War: “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” If you prefer something more succinct, allow me to paraphrase Forrest Gump: “Life is like a box of reeds – you never know what you’re going to get!” I’ve created this Complete Guide to Clarinet Reeds as a resource to help clarinetists of…
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How to choose a new clarinet mouthpiece
Welcome to the wonderful world of clarinet mouthpieces! If you’re looking for a new clarinet mouthpiece, here’s everything you need to know: How do you know when it’s time to replace a clarinet mouthpiece? While mouthpieces can be played indefinitely (as long as they’re not broken), I recommend replacing your mouthpiece every 5-10 years, although this greatly depends on how much you play. If you notice that your sound seems lackluster, you experience more resistance when you play, or reed selection is more difficult than normal, it could be the mouthpiece. It’s always a good idea to have a back-up mouthpiece, so if you’re undecided about replacing mouthpieces now, you…
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How to customize and set up a new clarinet
If you’re the proud owner of a new clarinet, congratulations! (Don’t worry if you’re still trying to choose a new clarinet – I’ve got you covered with some of my pro tips to help you select a new clarinet.) As you break in your new clarinet and familiarize yourself with the sound, feel, and tuning, I recommend having it set up and customized by a qualified repair tech. (If you’re looking how to assemble your clarinet, click here.) What does it mean to customize or set up your clarinet? Professional clarinets have remarkable consistency from one instrument to the next, but this also means that they will have to be…
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The Beginner’s Complete Guide to the Clarinet
Congratulations for beginning your clarinet journey! ♫ The clarinet is by far the best instrument out there (or at least it is according to me and this small corner of the internet), and I have several resources to help you get started. I’ve written several articles which will help guide you along as you navigate the process of learning clarinet, and I’ve organized these into a sequential step-by-step outline below. 1. First things first – do you own a clarinet? If yes, proceed to the next step. If not, here are some articles which will help you determine the best choice for you: 2. Now that you have a clarinet,…
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The Complete Guide to Clarinet Pinky Fingerings
When you first picked up a clarinet, you probably noticed that it has quite a lot of keys (especially if we compare it to a trumpet or trombone)! Even though there are a lot of keys on the clarinet, each finger has its designated place, and the mechanics of the clarinet are relatively straightforward until you get to the pinky keys (we’ll save the side and throat tone keys for another day). The pinky keys (as many clarinetists call them) are controlled by the pinky finger on the left and right hand. It’s ironic that our weakest finger is in charge of controlling four keys on each pinky! (Note: This…
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The Complete Guide to Crossing the Break on the Clarinet
One of the most difficult fundamentals on the clarinet is crossing the break (which I abbreviate CTB). For such a small interval, it can certainly pose a multitude of problems. Here’s everything players and teachers should know to cross the break with confidence! What is the break? The break is the transition from the chalumeau (low) register to the clarion (middle) register. (There is also the upper break, when you transition from the clarion to the altissimo register, but we’ll save that for another article.) When clarinetists first cross the break, they are probably moving from a throat tone (open G, G#/Ab, A, or Bb) to the middle of the…
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Let’s Talk About Ligatures: The Complete Guide to Clarinet Ligatures
For such a simple piece of clarinet equipment, there certainly are quite a few options for clarinet ligatures! Let’s talk about clarinet ligatures for a bit. Sometimes, they’re overshadowed by the almighty mouthpiece (for good reason – I have a lot to say about mouthpieces!). While the humble clarinet ligature may be tiny, it’s absolutely essential for clarinetists, even beyond its primary function of holding the reed on the mouthpiece. Before we get into the specifics, it’s time to dispel a common myth – ligatures absolutely make a difference in your sound and response. Many clarinetists believe that ligatures won’t make a discernible difference in sound, but this isn’t the…
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Clarinet Double Lip Embouchure: Overview, History, and Significance
To double lip, or not to double lip, that is the question (at least for many clarinetists)! There are few topics of debate which spark such spirited discussion among clarinetists as the decision to use a single or double lip embouchure. If you don’t already know, a single lip embouchure is one in which the lower lip covers the lower teeth, and the upper teeth make contact with the top of the mouthpiece. In a double lip embouchure, both lips (upper and lower) are curled over the teeth (again, both upper and lower), and the lips – not the teeth – make contact with the mouthpiece. This embouchure is like…
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How to relearn the clarinet after an extended break
One of the great parts about playing clarinet is that it seems like everyone you talk to knows somebody who plays or played the clarinet. Once others discover that someone plays clarinet, they’ll usually reply, “Oh, my mom/dad/sibling/aunt/uncle/grandparent/–insert relative or friend– played clarinet!” The problem is that many of these clarinetists discontinue their studies when life gets in the way. I realize that not everyone is training to become the next superstar clarinetist (is that even a thing?), but it seems like such a shame to give up a fun hobby which can be a great outlet for self-expression and even cardio activity! I know most of us are stuck…
