• Museums clarinetists can virtually visit

    Even though your summer travel plans probably look a bit different this year, there are several music museums you can visit virtually this year! Here are a few of my favourites: Le Musée des instruments à vent de La Couture-Boussey. The Woodwind Museum is located in La Couture-Boussey, which many consider to be the “home of wind instruments.” This museum began in 1888 by woodwind instrument makers, and it includes over 300 instruments, machines, and tools. Musée de la Musique. The Paris Music Museum includes over 1,000 items for you to explore. (Fun fact: I was lucky enough to take a course in organology at this museum during my master’s degree,…

  • Clarinet Method Books to Help Develop Diverse Musical Genres and Styles

    It’s no secret by now that I love method books (as witnessed by my slowly increasing number of clarinet boot camps). Can’t get enough of ’em! I have a few favorite method books which are never too far from my music stand, but I do like to spice things up occasionally. I’ve worked through most of the standard books at this point – Baermann, Jettel, Klosé, Rose, Kell, Jeanjean, etc – and I thought it would be nice to explore a more diverse range of genres and styles for a change of musical pace. The clarinet is such a versatile instrument and can play music from a diverse repertoire, including…

  • The Curse of the Yellow Clarinet

    Longtime Jenny Clarinet readers know that nothing fascinates me more than the dark, strange, or creepy history of the clarinet (like the clarinet curse or the bizarre deaths of historical clarinetists.) While researching an entirely unrelated subject, I stumbled upon an old book which mentions a superstition involving a yellow clarinet. This book, written in 1899 by Leon Mead, is titled The Bow-legged Ghost, and Other Stories: A Book of Humorous Sketches, Verses, Dialogues, and Facetious Paragraphs. According to this book, “There is a peculiar superstition among certain theatrical people that an old-fashioned yellow clarinet in the orchestra is a sure omen of bad luck or misfortune to them.” This…

  • Clarinet Compositions Written During the 1918 Flu Pandemic

    The last few months have been pretty depressing, to put it lightly. Life seems as if it’s been temporarily put on hold as the world anxiously awaits to see what happens next. Despite what some are saying, music isn’t cancelled and creativity isn’t dead. I know this can be hard to believe since all auditions, concerts, and performances have been postponed, rescheduled, or outright cancelled for the foreseeable future. Despite all of the horrible news constantly bombarding us, it is so inspiring to see how musicians are using technology in new and creative ways. I’ve seen so many artists share resources and tools to help others in these times of…

  • The Clarinet Compositions of Meyer Kupferman

    Meyer Kupferman playing clarinet (image from milkenarchive.org) …the modern clarinetist may well be represented as our new hero or musical superman – our true 20th century ‘challenger’! He is not only our new soloist, our new chamber music leader but in many ways our new entertainer or magician…By now all of us realize the clarinet is capable of an impressive spectrum of sonorities. Composers who understand its dramatic arsenal of dynamics, attacks, its huge range and its exquisite legato – can create a plethora of design suitable for any musical gesture. To well disciplined fingers the clarinet’s fluent Boehm system keyboard lends itself to the most remarkable feats of virtuosity.…

  • Clarinet Double Lip Embouchure: Overview, History, and Significance

    To double lip, or not to double lip, that is the question (at least for many clarinetists)! There are few topics of debate which spark such spirited discussion among clarinetists as the decision to use a single or double lip embouchure. If you don’t already know, a single lip embouchure is one in which the lower lip covers the lower teeth, and the upper teeth make contact with the top of the mouthpiece. In a double lip embouchure, both lips (upper and lower) are curled over the teeth (again, both upper and lower), and the lips – not the teeth – make contact with the mouthpiece. This embouchure is like…

  • Keeping Time: A Short History of the Metronome

    I am a self-proclaimed metronome maniac. You’ll always find a metronome clicking methodically away throughout my practicing routine, used both as a speedometer and as the rhythm police. It helps me keep time and gain speed as I learn new pieces, and I feel strange when I practice without it. Long story short, I love metronomes. Even though I love music history, I’ve never given much thought to the origins of my trusty practice companion. Imagine my surprise when one of my students told me that the “inventor” of the metronome actually stole the design from someone else! Obviously, I had to investigate this sordid history… If we’re being quite…

  • National Schools of Clarinet Playing

    National schools of clarinet playing describe a group of clarinetists who share similar ideas of sound concept, pedagogy, fundamentals, and other ideological beliefs as they relate to the clarinet. These shared beliefs have been historically shaped by cultural, sociological, political, nationalistic, and other influences. These national schools are not as pronounced today due to technological advances and the blending of disparate cultural influences. I have included several major national schools of clarinet playing, but it is important to note that each country and larger geographical region has its own unique pedagogy and stylistic similarities. There are countless other prominent schools, including the Russian, Spanish, Israeli, Portuguese, Hungarian, Greek, Turkish, Chinese,…

  • 31 Clarinet Compositions Written by Female Composers

    In celebration of Women’s History Month, I’ve created a list of 31 pieces for clarinet written by female composers, one for every day this month. By no means is this list comprehensive, but I hope this serves as nice introduction to the wide variety of wonderful music for clarinet by women composers. I have arranged this list alphabetically by composer’s last name. Please note that many of these composers have written several works featuring the clarinet. Unsuk Chin Concerto Yi Chen Chinese Ancient Dances Yvonne Desportes Trois petits contes Marie Félicie Clémence de Grandval Deux Pièces Sarah Feigin Fantasy for clarinet and piano Keiko Fujiie 3 Pieces, Op. 5 Ida Gotkovsky…

  • 100 More Famous Female Clarinetists Throughout History

    Last year, I wrote a list of 100 famous female clarinetists throughout history (I also wrote a more in-depth article on historical female clarinetists). Obviously, 100 is barely breaking the surface of all the wonderfully talented female clarinetists from around the world (past, present, and future), so here is the much-awaited sequel to this list. As always, this list is not meant to be comprehensive. I intend to make this a multi-part series, so please comment below with other female clarinetists who you would like to see featured on subsequent installments. Juliette Adam Deborah Andrus Anaïde Apelian Arngunnur Árnadóttir Emily Bernstein Joséphine Besançon Marie Billotte Betty Bley Anne Boeykens Carmen…